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#41
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I have a copy of Romero's Night of the Living Dead that was converted to colour. It's bloody terrible in colour. Thankfully it came free with a magazine a few years back.
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While on Twitter I asked The Moff if he ever checked out the SFX forum. He responded - Quote:
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#42
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Quote:
- Nem
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My blog - avengermonkey.blogspot.co.uk |
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#43
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Surely in this thread we should refer to the above as The-colour-that-shall-not-be-named-ray?
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#44
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Whatever happened to the spirit of the Auld Alliance?
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#45
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Those that think B&W is boring and colour is great, must have one heck of a confused time watching "IF"!
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#46
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Rage subsiding... Somehow it's quite ironic how there is quite a reluctance on TV companies to show old b&w TV series or films yet there was a bit of a trend of making a b&w episodes in some of the old 90s series, I remember ST:Voyager pulling that one all the time. Plus there are films out now which use a restricted colour palette or tinted ones which is used to enhance the film (well in some cases), yet strangely old Film Noir is seen as being... Somehow lesser because it's not in colour.
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"How can you convert something so 1D into 3D" - Knappos on Star Wars: The Phantom Menace 3D. Everyone expects The Fannish Inquisition! Last edited by Perdide; 22-08-2012 at 01:47 AM. |
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#47
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I must confess, I've never heard an aficionado of Noir express disdain for B&W. It seems to be the genre whose monochrome associations are most resistant to colour prejudice.
BBC2 and Channel 4 regularly show B&W films, and there have been a few great wee mini-seasons of comedy, Noir and horror classics on BBC4, so they aren't entirely absent from the schedules. Similarly, every time the GFT or Cineworld in Glasgow) I can't speak for other cinemas, as I don't frequent then regularly) show classics in monochrome they get huge audiences. 'All About Eve', 'The Maltese Falcon', 'Some Like It Hot', and 'Casablanca', when I saw them, were packed - and the GFT's annual showings of 'It's A Wonderful Life' is normally sold out well in advance of screenings. |
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#48
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However, there was a trend (for about 5 mins) to 'colorise' B&W movies - they did it with Night of the Living Dead, and they did it with It's a Wonderful Life too - blasphemy, heresy, one of the two - worth a look though to see just how stupid an idea people can get away with in LaLa Land. Might be better now what with computers etc, but back then (late 80s, early 90s?) it was done like a kid colouring in a book - no shade of any sort just GREEN there, FLESH COLOUR for skin - horrible, an affront to the eyes. Missed the point too, that Night of the Living Dead works really well because it's in B&W, not despite the fact.
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'Hold hands. That's what you're meant to do. Keep doing that and Don't. Let. Go. That's the secret.' Now talking bollocks in smaller doses - @Daarck1 |
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#49
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That was the remake. Which is actually pretty well received. I was talking about the black and white film with colour added.
__________________
While on Twitter I asked The Moff if he ever checked out the SFX forum. He responded - Quote:
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#50
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As I said though the original is now PD (public domain) and can be sourced from all the usual legal online. channels for free. It may have been a cockup by the distributor but now it's PD they can't take it back. http://en.m.wikipedia.org/wiki/Night...Dead#section_6
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"How can you convert something so 1D into 3D" - Knappos on Star Wars: The Phantom Menace 3D. Everyone expects The Fannish Inquisition! |
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